SELECTED BIBLIOGRAPHY
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2017
2015 2013 2012 2011 2010 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 |
Laura Roulet, What Humans Do: Arnaldo Morales, Sculpture, May 2017, 28-33.
Cover, Revista de Ciencias Sociales, No. 28 (Universidad de Puerto Rico, Río Piedras). Entry, Allgemeines Künstler-Lexikon, Munich, (De Gruyter, Berlin, Germany). Art in America staff, "Junkies' Promises," at Paul Kasmin Gallery, through Aug. 16, The Lookout: A Weekly Guide to Shows You Won't Want to Miss" July 25, 2013. Deborah Cullen, “Busy Bees,” DaWire: Online Platform for Contemporary Art, Tuesday, April 24th, 2012. Rebeca Noriega-Costas, Simbiosis creativa: labrar y hablar en plural, Trienal Poli/Gráfica de San Juan: El Panal/The Hive (San Juan: Instituto de Cultura Puertorriqueña, 2012) Brian K. Hemphill, The Elements of Creative and Expressive Artistry: A Philosophy for Creating Everything Artistic (iUniverse, 2011), 452. Nikos Kotsopoulos, editor, Arnaldo Morales, Contemporary Art in Latin America (London: Black Dog Publishing, 2010). Interview with Clavija Raisa, Primera Hora, January 2007 The Bad and The Beautiful, Rotund World, V. Armas de seducción masiva/Weapons of Mass Seduction, Sublime: Arte + Cultura Contemporánea, No. 18: “Sobre la noche/About the Night”, 44-50. Elaine King, San Juan, Puerto Rico: None of the Above, Sculpture, Fall, 74-76. Contraindicaciones Deborah Cullen, ed., None of the Above: Contemporary Work by Puerto Rican Artists (Hartford: Real Art Ways and San Juan: Museo de Arte de Puerto Rico), 23; 74-77; 128-129. Klaus Ottmann, None of the Above, ArtUS, September-October. Patricia Rosoff, None of the Above, Flash Art, July-September, 54. Larissa Vásquez Zapata, Remirada al arte contemporáneo, Revista Domingo, El Nuevo Día, June 20. Holland Cotter, None of the Above, The New York Times, Friday, June 4. Matt Erickson, Going Beyond Identity, The Hartford Courant, Saturday, May 1. Patricia Rosoff, Spotlight Review: None of the Above Patricia Rosoff, Home Improvement: Nineteen Puerto Rican Artists Show Us Some Irreverance Carol Damian, Miami Rises to the Occasion: Art Basel Miami 2003 Ariella Budick, Visualizing Fear: The ‘Terrorivision’ Exhibition at Exit Art Attempts to Answer the Question, ‘What Scares You The Most’? Newsday, Sunday May 9, 2004, C34-35. Jane Harris, Getting Personal, Political and Very Idiosyncratic at Exit Art Linda Weintraub, In the Making: Creative Options for Contemporary Artists (NYC: DAP), 94-101. Vivian Marthell, About the District: A Peek into Some of Our Galleries During Basel Elisa Turner, Artists Take a Shot at Consumerism Charles Juhåsz-Alvarado, Arnaldo Morales, Fex Selec 4000 No.94, 1994, Voces y Visiones: Highlights from the Collection of El Museo del Barrio (NY: El Museo del Barrio, 2003), Vol. 5, “Modern & Contemporary Art,” 1966-1967. Jesús Pedro Lorente, David Almazán, Museología crítica y arte contemporáneo (Universidad de Zaragoza, 2003), 384. Paco Barragan, El Arte Que Viene/The Art to Come (Madrid: Subastas Siglo XXI, 2001), 200-201. Walter Robinson, Report from ARCO Spring Art Walk/Exit Art William Mejías López, Morada de la palabra: homenaje a Luce y Mercedes López-Baralt, Volume 1 La Editorial, UPR, 2002, 108 Conversando con Nuestros Artistas, Vol. II, Museo de Arte Contemporaneo, San Juan. Joe Fyfe, Ornery Utopia Paco Barragan, Los ciberobjetos de Arnaldo Morales, Revista Domingo/El Nuevo Dia, Feb. 18, 6-7. Piedra, Metal y : Escultura en Puerto Rico (Ponce: Museo de Arte de Ponce, 2001), 9. Logan Hill, Tech Art Takes Over N.Y. Laura Roulet, Contemporary Puerto Rican Installation Art: The Guagua Aerea, The Trojan Horse and the Termite, Editorial de la Universidad de Puerto Rico, San Juan, pp. 75-78. M. Vicens, Ambiguedades y obsesiones, Por dentro-El Nuevo Dia, Nov. 12, p. 102. Fernando Castro, Arnaldo Morales, ARCONoticias, September. Dorian Lugo Bertrán, Post Puerto Rico, published in the exhibition catalogue, Puerto Rico/Rico Puerto/Que Puerto, Instituto de América/Santa Fé, Granada, Spain, pp. 20-21. Paco Barragan, Los ciberobjectos de Arnaldo Morales, Lapiz, Año XIX, Num. 163, pp. 32-37. Carol Kino, The Emergent Factor, Art in America, July, pp. 44-49. Jonathan Goodman, Greater New York, Contemporary Visual Arts, Issue 29, pp. 26-27. Stefano Pasquini & Papo Colo, One Last Word on Puerto Rico, NY Arts, June, pp. 30-31. Stefano Pasquini, Understanding Puerto Rico, NY Arts, May, pp. 40-43. Exhibitionism: Fashion’s New Visionaries Meet Artworks On the Verge at P.S. 1’s Greater New York, Time Out New York, March 23-30, Issue No. 235, pp. 46-53. Manuel Alvarez Lezama, Fenomenales máquinas, El Nuevo Dia, p. 79, Oct. 17. Arnaldo Morales: Espacio Abierto, El Nuevo Dia, Oct. 17. Marilyn Vicens-Anguita, Alimañas, El Nuevo Dia, Oct. 10, p. 72. Paco Barragan, Con los JASP-A, El Perodico De Arte, Aug-Sept,.p. 22. Paco Barragan, El Museo del Barrio, Noticias de Arte, May-Aug., p. 22. John Angeline, Ruido, Art Nexus, p. 117, No. 32, May-July. Calvin Reid, Arnaldo Morales & Charles Goodman at DeChiara/Stewart, Art in America, June, 121. NY Arts, El Museo del Barrio, Vol. 4, No. 5, May 1999. Natalia de Cuba, Morales tries out fortune in NYC, The San Juan Star, Feb. 16, p. 27. David Levi Strauss, Arnaldo Morales, Artforum, January, p. 122. Charlotte Cohen, Anne Pasternak, Tom Eccles, Commissioning Art in Public Places Jose Antonio Perez Ruiz, Arnaldo Morales en la Galería DeChiara/Stewart de NY, Escenario, Dec. 15, pp. E 20-21. Marimar Benítez, Neurotic Imperatives: Contemporary Art from Puerto Rico, Art Journal, Winter 1998, p. 83. Haydee Venegas, Arte Portorriqueño de Cara al Milenio, published in the exhibition catalogue, Caribe Insular: Exclusión, Fragmentación y Paraíso, Casa de America, Spain, pp. 279-280. Paula Aranovich, Artistas Latinoamericanos en Nueva York, Noticias de arte, Numero 265, 18-19. Paula Aranovich, Arnaldo Morales: Triobegun Ironik No. 98, El Diario La Prensa, November 5. Carlo McCormick, Arnaldo Morales, Poliester Magazine, Summer, pp. 42-47. Akane Yamaguchi, Arnaldo Morales, +81 Magazine (Japan), Vol. 2, Spring 1998, p. 24. Whitney Scott, Something Wild Brings out the Beast in New Art, NY Post, Jan. 24. Unchain My Art, Time Out New York, Issue 121, January 15-22. Grace Glueck,. . . Sculpture to Be Seen on the Street, The New York Times, “Weekend/Fine Arts & Leisure” section, Jan. 16. Wild/Exit Art, Simon Says, Volume 2, Issue 5, January. Claudia Robiou, Corriente Urbana, El Nuevo Dia, pp. 104-105, Nov. 2 Art of 9 to 5: Street Objects with a Twist, New York Times, October 26. Lelia Driben, ¿Así Está la Cosa?, La Jornada Semanal, p. 12. Manuel Alvarez Lezama, Zooisla’s young, talented voices, The San Juan Star, Oct. 6, pp. 16-17. Manuel Alvarez Lezama, On and Off Switches of Passion, Light, The San Juan Star, May 5, 16-17. Mario Alegre Barrios, Una alucinante propuesta, El Nuevo Dia, April 16, pp. 80-81. Eneid Routté-Gómez, Urban Sculptor Arnaldo Morales, Marcano, Oct/Nov, p. 49. Ileana Lopez-Aviles, Nuestro Arte en Islandia, Caras de Puerto Rico, June, p. 28. Bragi Asgeirsson, New York-Nylo, Morgunbladid, June 8, p. 14. Eneid Routté-Gómez, Arnaldo Morales at Leonora Vega, San Juan, Artnews, May, p. 166. Enrique Garcia Gutierrez, Arnaldo Morales y sus máquinas prodigiosas, El Nuevo Dia, Feb. 19, pp. 12-15. Manuel Alvarez Lezama, Can-do machinations, The San Juan Star, Feb. 12, pp. 16-17. Irma Rivera Nieves y Carlos Gil, eds., Politnía salvaje: ensayos de cultura y política en la postmodernidad, Universidad de Puerto Rico, 1995. Manuel Alvarez Lezama, Vega helps exceptional artists, The San Juan Star, Dec. 6, p. 32 Doreen M. Colon Camacho, Esculturas de “alto voltaje,” El Nuevo Dia, Dec. 15, pp. 172-173. Cruz Ansata, Ensayos (cover illustration), Vol. XVII, 1994. Manuel Alvarez Lezama, Call Arnaldo Morales weird, crazy, and talented, The San Juan Star, Nov. 7, p. 7. Enrique García Gutiérrez, Arte joven en el Chase, El Nuevo Dia, Sept. 24, pp. 12-13. Jose Antonio Perez Ruiz, Arte, objetos y artefactos: Galería Luigi Marrozzini, Art Nexus, Sept-Dec. 1993. |
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